I am a huge fan of Sherlock Holmes and have been since I was very young, probably under the age of ten years old. I remember taking out DVDs of films like The Hound of the Baskervilles and Sherlock Holmes and the Voice of Terror from the local library long before I ever picked up any of Sir Arthur Conan Doyle's books. To me, Sherlock Holmes and Dr. Watson will always be Basil Rathbone and Nigel Bruce as this was my first encounter with the characters. It often interests me how people perceive adaptations of literature - whether they see the film/TV version before reading the source text or the other way around and how that affects their opinion on the adaptation. Basil Rathbone's perfectly clipped and abrupt form of speaking when in character accompanies every line in Conan Doyle's work when I read them now. I don't believe this will ever change.
I have done a lot of research into the various adaptations of Sherlock Holmes stories and watched many of them over the years. Though Jeremy Brett is often considered England's favourite Holmes and the most accurate representation of the character on screen, I have to disagree. Is it because Basil Rathbone is a better actor? Not necessarily. Is it because Rathbone's character is less flawed? Not at all.
It's because, for me at least, Rathbone was first. Not the first Sherlock Holmes by any means, but he was the first one I saw and I will always be partial to the pairing of him and Nigel Bruce.
The real point of this post was to include a poem by Vincent Starrett that I have recently rediscovered. Starrett wrote The Private Life of Sherlock Holmes and was a big fan of detective novels and crime fiction, writing plenty of it himself. He was one of the most promiment - and really one of the first - "Sherlockians".
221b (1942)
Here dwell together still two men of note
Who never lived and so can never die.
How very near they seem, yet how remote
That age before the world went all awry.
But still the game's afoot for those with ears
Attuned to catch the distant view-halloo
England is England yet, for all our fears
Only those things the heart believes are true
A yellow fog swirls past the window-pane
As night descends upon this fabled street.
A lonely hansom splashes through the rain,
The ghostly gas lamps fail at twenty feet.
Here, though the world explode, these two survive,
And it is always eighteen ninety-five.
Tuesday, 8 December 2009
Tuesday, 1 December 2009
Songs That Tell a Story
I've always loved songs that have a plot or a storyline. Instead of swooning over someone the singer can't have or reminiscing about a lost love, songs that tell a story are lyrical narratives. They're pleasant to listen to and the constantly changing lyrics are much more distinctive and creative than the Top 40 songs that repeat themselves over and over. The lyrics move the story forward and most of these songs have a beginning, middle, and end, just like something written in prose form would (or should, or might). They introduce the characters and the problem and come to some sort of satisfying conclusion within a very short time frame.
Two of my favourite examples of lyrical narratives are Whiskey Lullaby, this version by Brad Paisley and Alison Krauss... Yes, it's country, and yes that seems to be a foul word here in the UK, but it's a lovely - if sad - song.
...And The Gambler by Kenny Rogers. I chose this particular clip because it involves the Muppets and who doesn't love those guys? Secondly, I was happy to discover that it involves multiple characters "acting" out the song.
Please ignore the advertising that appears on the above video. I am borrowing it in order to illustrate my point and unfortunately cannot get rid of it.
There's a bit of an overload of country on this post but artists in that genre seem to enjoy telling tales in their music.
Of course, there are plenty of other examples of songs that tell stories and exhibit some form of narrative structure. Bob Dylan's done a few, for instance, and even Avril Lavigne's Sk8er Boi (it pains me to even type it that way) has a story in it. There are a ton of examples out there if you listen for them!
Two of my favourite examples of lyrical narratives are Whiskey Lullaby, this version by Brad Paisley and Alison Krauss... Yes, it's country, and yes that seems to be a foul word here in the UK, but it's a lovely - if sad - song.
...And The Gambler by Kenny Rogers. I chose this particular clip because it involves the Muppets and who doesn't love those guys? Secondly, I was happy to discover that it involves multiple characters "acting" out the song.
Please ignore the advertising that appears on the above video. I am borrowing it in order to illustrate my point and unfortunately cannot get rid of it.
There's a bit of an overload of country on this post but artists in that genre seem to enjoy telling tales in their music.
Of course, there are plenty of other examples of songs that tell stories and exhibit some form of narrative structure. Bob Dylan's done a few, for instance, and even Avril Lavigne's Sk8er Boi (it pains me to even type it that way) has a story in it. There are a ton of examples out there if you listen for them!
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